<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"><channel><title>Global Stage Review</title><link>https://globalstagereview.co.uk/</link><description>A clear view of the choices that shape live performance.</description><language>en</language><item><title>How to Read Stage Pictures Through Position and Movement</title><link>https://globalstagereview.co.uk/how-to-read-stage-pictures-through-position-and-movement/</link><guid isPermaLink="true">https://globalstagereview.co.uk/how-to-read-stage-pictures-through-position-and-movement/</guid><pubDate>Wed, 04 Nov 2026 12:20:00 +0000</pubDate><category>Movement</category><description>Read a stage picture through spacing, facing and movement to notice how performers shape relationships and redirect attention without guessing at motives.</description></item><item><title>A Bare Floor or a Built Setting?</title><link>https://globalstagereview.co.uk/a-bare-floor-or-a-built-setting/</link><guid isPermaLink="true">https://globalstagereview.co.uk/a-bare-floor-or-a-built-setting/</guid><pubDate>Fri, 30 Oct 2026 13:40:00 +0000</pubDate><category>Stagecraft</category><description>Learn how to read a bare stage or detailed setting through movement, sound and changing objects, so you can follow the performance without guessing symbols.</description></item><item><title>Before the Black Box: A Short History of Flexible Theatre Space</title><link>https://globalstagereview.co.uk/before-the-black-box-a-short-history-of-flexible-theatre-space/</link><guid isPermaLink="true">https://globalstagereview.co.uk/before-the-black-box-a-short-history-of-flexible-theatre-space/</guid><pubDate>Mon, 26 Oct 2026 18:40:00 +0000</pubDate><category>Stagecraft</category><description>Flexible theatre space grew from improvised rooms into adaptable studios and black boxes, giving artists practical ways to reconfigure where a performance happens.</description></item><item><title>The Naturalism Trap: Why Realistic Detail Is Not the Same as Truth</title><link>https://globalstagereview.co.uk/the-naturalism-trap-why-realistic-detail-is-not-the-same-as-truth/</link><guid isPermaLink="true">https://globalstagereview.co.uk/the-naturalism-trap-why-realistic-detail-is-not-the-same-as-truth/</guid><pubDate>Sat, 24 Oct 2026 13:30:00 +0000</pubDate><category>Audience</category><description>Realistic detail on stage can look convincing yet feel false. Learn how coherence, performance choices and audience attention shape theatrical truth.</description></item><item><title>A First-Time Play: What to Notice Between Scenes</title><link>https://globalstagereview.co.uk/a-first-time-play-what-to-notice-between-scenes/</link><guid isPermaLink="true">https://globalstagereview.co.uk/a-first-time-play-what-to-notice-between-scenes/</guid><pubDate>Tue, 20 Oct 2026 09:30:00 +0000</pubDate><category>Structure</category><description>Follow scene transitions in a first-time play by noticing what carries across, what is omitted and how the next scene answers—or resists—the change.</description></item></channel></rss>
